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one year; two days

by namke communications

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about

Released by fencing flatworm recordings as a sort-of-prize for winning the radiofreemidwich Zellaby Award for Album of the Year, 2015.

The full story:

radiofreemidwich.wordpress.com/2016/11/16/new-on-fencing-flatworm-recordings-one-year-two-days-by-the-award-winning-namke-communications/

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Idwal Fisher said nice things about it here: idwalfisher.blogspot.com/2017/01/namke-communicationssynchre.html

"Namke Communications is John Tuffen. On 'One Year; Two Days' he makes the kind of simple, repetitive, head nodding oscillations that Fencing Flatworm go all ga-ga for. No wonder they made it their only release of the year. The backdrop to the live action would be one of a continual upshot of fluffy white clouds drifting across an azure summer sky, your head laid back on a plump pillow as your punt is punted down the Cam, a picnic hamper from Fortnum and Mason’s awaiting your arrival on the shore. The four tracks are all given a date and a time which we are to presume are the time and date of recording and the file names they were saved to PC as. According to the Bearded Wonder these were created using a PC. Me not being what you would call an expert on computer composed music I wouldn’t know but the results are nothing short of wonderful; rung bowls of electronica and oscillating vibes that with very little effort find a common purpose. There’s the occasional muffled depth charge and at one instance a school playground but always the feeling of complete control and with it immense aural satisfaction."

credits

released November 16, 2016

Originally released on fencing flatworm recordings (if you'd like a CD copy then visit them here: fencingflatworm.bandcamp.com/album/one-year-two-days

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about

namke communications York, UK

Since 2000 John Tuffen has been performing/releasing electronic music under the name of namke communications. Originally formed with Damian Murphy in 2000 for the SightSonic festival in York, since 2002 it has been a solo venture.

December 2011 saw the live return with a synthesiser/drum-machine trip; January 2012 saw a guitar replacing the synth but still maintaining the electronic edge...
... more

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