1. |
Jan 1st
08:46
|
|||
2. |
Jan 2nd
04:17
|
|||
3. |
Jan 3rd
02:31
|
|||
4. |
Jan 4th
04:26
|
|||
5. |
Jan 5th
03:06
|
|||
6. |
Jan 6th
24:27
|
|||
|
This piece is for day 6 of my 365 project.
I am speaking into a virtual room — unlike Alvin's, but performing a similar process. My voice will be looped through the room-simulator until the resonances in the room are all that remain.
|
||||
7. |
Jan 7th
00:49
|
|||
8. |
Jan 8th
02:20
|
|||
|
All we are, decays
|
||||
9. |
Jan 9th
22:54
|
|||
10. |
Jan 10th
07:58
|
|||
11. |
Jan 11th
01:25
|
|||
|
I'm waiting for the call,
I'm waiting for the call,
I'm waiting for the call,
I'm waiting for the call,
Lord, I'm waiting for the call,
Waiting for the call.
|
||||
12. |
Jan 12th
02:42
|
|||
13. |
Jan 13th
10:33
|
|||
14. |
Jan 14th
02:40
|
|||
15. |
Jan 15th
09:00
|
|||
16. |
Jan 16th
20:00
|
|||
17. |
Jan 17th [Conductor 71]
05:10
|
|||
|
Lyrics busked out on a theme started three years ago. Sometimes it's handy to keep notes lying around!
Conductor 71
----------------
Call for me,
Conductor,
Call for me,
Call for me,
Conductor,
Call for me,
I'm lost in the fog,
Out here on the sea,
Out here on the sea,
Call for me,
My conductor
I'm not sure,
That our love,
Will stop the moving stairway,
Will stop the moving stairway,
I'm not sure,
If our love,
Would stop,
The stairway.
Time stops for me,
But I doubt it stops for you,
I doubt it stops for you
Time stops for me,
But I doubt it stops for you,
|
||||
18. |
Jan 18th
04:45
|
|||
19. |
Jan 19th
03:45
|
|||
20. |
Jan 20th
19:00
|
|||
21. |
Jan 21st
08:10
|
|||
22. |
Jan 22nd
01:30
|
|||
23. |
Jan 23rd
01:00
|
|||
24. |
Jan 24th
05:25
|
|||
25. |
Jan 25th
03:30
|
|||
26. |
Jan 26th
02:21
|
|||
27. |
Jan 27th
21:06
|
|||
28. |
Jan 28th
05:35
|
|||
29. |
Jan 29th
01:51
|
|||
30. |
Jan 30th
02:20
|
|||
31. |
Jan 31st
11:56
|
|||
32. |
Feb 1st
04:33
|
|||
33. |
Feb 2nd
04:33
|
|||
34. |
Feb 3rd
04:33
|
|||
35. |
Feb 4th
04:33
|
|||
36. |
Feb 5th
04:33
|
|||
37. |
Feb 6th
04:33
|
|||
38. |
Feb 7th
04:33
|
|||
39. |
Feb 8th
04:33
|
|||
40. |
Feb 9th
04:33
|
|||
41. |
Feb 10th
04:33
|
|||
42. |
Feb 11th
04:33
|
|||
43. |
Feb 12th
04:33
|
|||
44. |
Feb 13th
04:33
|
|||
45. |
Feb 14th
04:33
|
|||
46. |
Feb 15th
04:33
|
|||
47. |
Feb 16th
04:33
|
|||
48. |
Feb 17th
04:33
|
|||
49. |
Feb 18th
04:33
|
|||
50. |
Feb 19th
04:33
|
|||
51. |
Feb 20th
04:33
|
|||
52. |
Feb 21st
04:33
|
|||
53. |
Feb 22nd
04:33
|
|||
54. |
Feb 23rd
04:33
|
|||
55. |
Feb 24th
04:33
|
|||
56. |
Feb 25th
04:33
|
|||
57. |
Feb 26th
04:33
|
|||
58. |
Feb 27th
04:33
|
|||
59. |
Feb 28th
04:33
|
|||
60. |
March 1st
03:09
|
|||
61. |
March 2nd
09:32
|
|||
62. |
March 3rd
02:36
|
|||
63. |
March 4th
09:34
|
|||
64. |
March 5th
09:07
|
|||
65. |
March 6th
09:57
|
|||
66. |
March 7th
03:40
|
|||
67. |
March 8th
06:20
|
|||
68. |
March 9th
11:16
|
|||
69. |
March 10th
12:30
|
|||
70. |
March 11th
11:28
|
|||
71. |
March 12th
09:00
|
|||
72. |
March 13th
15:00
|
|||
73. |
March 14th
05:00
|
|||
74. |
March 15th
03:14
|
|||
75. |
March 16th
07:30
|
|||
76. |
March 17th
06:50
|
|||
77. |
March 18th
09:11
|
|||
78. |
March 19th
21:25
|
|||
79. |
March 20th
16:16
|
|||
80. |
March 21st
25:57
|
|||
81. |
March 22nd
16:56
|
|||
82. |
March 23rd
03:54
|
|||
83. |
March 24th
08:30
|
|||
84. |
March 25th
06:24
|
|||
85. |
March 26th
13:24
|
|||
86. |
March 27th
11:30
|
|||
87. |
March 28th
05:09
|
|||
88. |
March 29th
02:09
|
|||
89. |
March 30th
15:30
|
|||
90. |
March 31st
10:03
|
|||
91. |
April 1st
02:48
|
|||
92. |
April 2nd
20:00
|
|||
93. |
April 3rd
20:00
|
|||
94. |
April 4th
08:47
|
|||
95. |
April 5th
06:30
|
|||
96. |
April 6th
09:15
|
|||
97. |
April 7th
04:05
|
|||
98. |
April 8th
07:04
|
|||
99. |
April 9th
08:38
|
|||
100. |
April 10th
11:10
|
|||
101. |
April 11th
04:30
|
|||
102. |
April 12th
06:00
|
|||
103. |
April 13th
03:49
|
|||
104. |
April 14th
02:06
|
|||
105. |
April 15th
06:00
|
|||
106. |
April 16th
03:45
|
|||
107. |
April 17th
08:04
|
|||
108. |
April 18th
06:00
|
|||
109. |
April 19th
05:48
|
|||
110. |
April 20th
13:30
|
|||
111. |
April 21st
11:30
|
|||
112. |
April 22nd
17:09
|
|||
113. |
April 23rd
18:40
|
|||
114. |
April 24th
18:50
|
|||
115. |
April 25th
10:53
|
|||
116. |
April 26th
21:20
|
|||
117. |
April 27th
05:11
|
|||
118. |
April 28th
11:00
|
|||
119. |
April 29th
06:03
|
|||
120. |
April 30th
06:43
|
|||
121. |
May 1st
12:00
|
|||
122. |
May 2nd
05:09
|
|||
123. |
May 3rd
06:32
|
|||
124. |
May 4th
01:16
|
|||
125. |
May 5th
06:15
|
|||
126. |
May 6th
22:50
|
|||
|
…and so it ends…
|
||||
127. |
May 7th
06:30
|
|||
128. |
May 8th
10:00
|
|||
129. |
May 9th
04:59
|
|||
130. |
May 10th
10:01
|
|||
131. |
May 11th
07:40
|
|||
132. |
May 12th
05:28
|
|||
133. |
May 13th
08:48
|
|||
134. |
May 14th
03:20
|
|||
135. |
May 15th
02:30
|
|||
136. |
May 16th
04:23
|
|||
137. |
May 17th
09:15
|
|||
138. |
May 18th
05:55
|
|||
139. |
May 19th
24:30
|
|||
140. |
May 20th
04:16
|
|||
141. |
May 21st
02:00
|
|||
142. |
May 22nd
01:56
|
|||
143. |
May 23rd
03:04
|
|||
144. |
May 24th
07:08
|
|||
145. |
May 25th
12:00
|
|||
146. |
May 26th
10:30
|
|||
147. |
May 27th
05:00
|
|||
148. |
May 28th
14:10
|
|||
149. |
May 29th
11:50
|
|||
|
The sun rose, just like every other day
The birds woke, just like every other day
He got up, just like every other day
And nothing happened.
Just like.
Every.
Other.
Day.
|
||||
150. |
May 30th
15:05
|
|||
151. |
May 31st
02:22
|
|||
152. |
June 1st
01:50
|
|||
|
4'33 is a shorthand for silence.
February's recordings are not 'cover versions' but utilise the duration to highlight the listening experience. A performance of 4'33 is not simply sitting at a piano and not playing it; it's attending a performance, being attentive and listening - as if the pianist were playing - and hearing the environmental sounds of the moment.
A performance of 4'33 in an anechoic chamber would be different for each audience member as their blood flow, heartbeat, latent tinnitus and so on comes to the fore during the performance.
We can each attend our personal 4'33 every day – one is just required to listen for two hundred and seventy-three uninterrupted seconds, mentally closing the piano lid at the end.
Music is, after all, “organised sound” - by defining bounds, the sound is organised — corralled — and music happens.
|
||||
153. |
June 2nd
15:00
|
|||
154. |
June 3rd
06:40
|
|||
155. |
June 4th
07:44
|
|||
156. |
June 5th
03:00
|
|||
157. |
June 6th
06:30
|
|||
158. |
June 7th
07:00
|
|||
159. |
June 8th
08:41
|
|||
160. |
June 9th
03:45
|
|||
161. |
June 10th
08:43
|
|||
162. |
June 11th
06:23
|
|||
163. |
June 12th
01:36
|
|||
164. |
June 13th
09:04
|
|||
165. |
June 14th
03:02
|
|||
166. |
June 15th
06:45
|
|||
167. |
June 16th
03:15
|
|||
168. |
June 17th
07:00
|
|||
169. |
June 18th
05:00
|
|||
170. |
June 19th
02:50
|
|||
171. |
June 20th
05:20
|
|||
172. |
June 21st
10:13
|
|||
173. |
June 22nd
03:02
|
|||
174. |
June 23rd
12:00
|
|||
175. |
June 24th
03:05
|
|||
176. |
June 25th
04:00
|
|||
177. |
June 26th
04:16
|
|||
178. |
June 27th
04:43
|
|||
179. |
June 28th
02:22
|
|||
180. |
June 29th
06:11
|
|||
181. |
June 30th
15:00
|
|||
182. |
July 1st
04:00
|
|||
183. |
July 2nd
05:00
|
|||
184. |
July 3rd
03:54
|
|||
185. |
||||
186. |
July 5th
04:58
|
|||
187. |
July 6th
04:32
|
|||
188. |
July 7th
13:02
|
|||
189. |
July 8th
05:13
|
|||
190. |
July 9th
04:55
|
|||
191. |
July 10th
11:06
|
|||
192. |
July 11th
12:00
|
|||
193. |
July 12th
07:00
|
|||
194. |
July 13th
01:29
|
|||
195. |
July 14th
03:05
|
|||
196. |
July 15th
02:28
|
|||
197. |
July 16th
03:32
|
|||
198. |
July 17th
08:32
|
|||
199. |
July 18th
09:20
|
|||
200. |
July 19th
22:32
|
|||
201. |
July 20th
08:00
|
|||
202. |
July 21st
03:28
|
|||
203. |
||||
204. |
July 23rd
04:23
|
|||
205. |
July 24th
03:47
|
|||
206. |
July 25th
06:48
|
|||
207. |
July 26th
08:30
|
|||
208. |
July 27th
02:21
|
|||
209. |
July 28th
03:30
|
|||
210. |
July 29th
02:44
|
|||
211. |
July 30th
04:47
|
|||
212. |
July 31st
06:24
|
|||
213. |
August 1st
08:30
|
|||
214. |
August 2nd
06:04
|
|||
215. |
August 3rd
03:01
|
|||
216. |
||||
217. |
August 5th
06:44
|
|||
218. |
August 6th
05:42
|
|||
219. |
August 7th
07:20
|
|||
220. |
August 8th
30:00
|
|||
221. |
August 9th
15:00
|
|||
222. |
August 10th
03:49
|
|||
223. |
August 11th
04:38
|
|||
224. |
August 12th
05:35
|
|||
225. |
August 13th
03:12
|
|||
226. |
August 14th
01:14
|
|||
227. |
August 15th
01:15
|
|||
228. |
August 16th
07:32
|
|||
229. |
August 17th
16:00
|
|||
230. |
August 18th
05:45
|
|||
231. |
August 19th
20:00
|
|||
232. |
August 20th
01:49
|
|||
233. |
August 21st
08:27
|
|||
234. |
August 22nd
17:20
|
|||
235. |
August 23rd
04:55
|
|||
236. |
August 24th
16:00
|
|||
237. |
August 25th
05:24
|
|||
238. |
August 26th
06:42
|
|||
239. |
August 27th
05:50
|
|||
240. |
August 28th
06:26
|
|||
241. |
August 29th
10:52
|
|||
242. |
August 30th
05:27
|
|||
243. |
August 31st
04:00
|
|||
244. |
September 1st
04:14
|
|||
245. |
September 2nd
05:00
|
|||
246. |
September 3rd
10:00
|
|||
247. |
September 4th
21:05
|
|||
248. |
September 5th
01:56
|
|||
249. |
September 6th
02:16
|
|||
250. |
September 7th
05:17
|
|||
251. |
September 8th
06:20
|
|||
252. |
September 9th
01:00
|
|||
253. |
September 10th
03:26
|
|||
254. |
September 11th
05:17
|
|||
255. |
September 12th
05:41
|
|||
256. |
September 13th
03:12
|
|||
257. |
September 14th
03:11
|
|||
258. |
September 15th
07:02
|
|||
259. |
September 16th
07:50
|
|||
260. |
September 17th
07:00
|
|||
261. |
September 18th
03:35
|
|||
262. |
September 19th
03:45
|
|||
263. |
September 20th
06:08
|
|||
264. |
September 21st
03:10
|
|||
265. |
September 22nd
04:48
|
|||
266. |
September 23rd
08:02
|
|||
267. |
September 24th
03:28
|
|||
268. |
September 25th
03:15
|
|||
269. |
September 26th
04:48
|
|||
270. |
September 27th
05:00
|
|||
271. |
September 28th
03:50
|
|||
272. |
September 29th
03:30
|
|||
273. |
September 30th
11:45
|
|||
274. |
October 1st
07:00
|
|||
275. |
October 2nd
04:25
|
|||
276. |
October 3rd
03:30
|
|||
277. |
October 4th
02:14
|
|||
278. |
October 5th
03:14
|
|||
279. |
||||
280. |
October 7th
05:30
|
|||
281. |
October 8th
01:57
|
|||
282. |
October 9th
01:48
|
|||
283. |
October 10th
07:24
|
|||
284. |
October 11th
02:53
|
|||
285. |
October 12th
01:30
|
|||
286. |
October 13th
03:30
|
|||
287. |
October 14th
03:00
|
|||
288. |
October 15th
04:48
|
|||
289. |
October 16th
09:00
|
|||
290. |
October 17th
03:00
|
|||
291. |
October 18th
06:15
|
|||
292. |
October 19th
03:21
|
|||
293. |
October 20th
01:30
|
|||
294. |
October 21st
01:40
|
|||
295. |
||||
296. |
October 23rd
04:16
|
|||
297. |
October 24th
04:00
|
|||
298. |
October 25th
04:19
|
|||
299. |
October 26th
03:44
|
|||
300. |
October 27th
05:10
|
|||
301. |
October 28th
02:40
|
|||
302. |
October 29th
08:00
|
|||
303. |
October 30th
02:00
|
|||
304. |
October 31st
03:14
|
|||
305. |
November 1st
03:00
|
|||
306. |
November 2nd
03:12
|
|||
307. |
November 3rd
11:00
|
|||
308. |
November 4th
02:30
|
|||
309. |
November 5th
05:30
|
|||
310. |
November 6th
02:08
|
|||
311. |
November 7th
04:55
|
|||
312. |
November 8th
05:00
|
|||
313. |
||||
314. |
||||
315. |
||||
316. |
||||
317. |
||||
318. |
November 14th
02:30
|
|||
319. |
November 15th
02:30
|
|||
320. |
November 16th
02:08
|
|||
321. |
November 17th
04:48
|
|||
322. |
November 18th
04:00
|
|||
323. |
November 19th
03:30
|
|||
324. |
November 20th
22:50
|
|||
325. |
November 21st
06:02
|
|||
326. |
November 22nd
03:22
|
|||
327. |
November 23rd
03:04
|
|||
328. |
November 24th
03:00
|
|||
329. |
November 25th
02:15
|
|||
330. |
November 26th
03:47
|
|||
331. |
November 27th
03:50
|
|||
332. |
November 28th
02:15
|
|||
333. |
November 29th
02:00
|
|||
334. |
November 30th
04:00
|
|||
335. |
December 1st
03:24
|
|||
336. |
December 2nd
02:04
|
|||
337. |
December 3rd
01:53
|
|||
|
with_fx :ring_mod do |xx|
live_loop :hat do
sample :drum_cymbal_closed, pan: (dice-1)/5
sleep dice * 0.03125
end
sleep 5
live_loop :bd do
sync :hat
sample :bd_pure, rate: 0.75
sleep 1
end
sleep 5
live_loop :sd do
sync :hat
sample :sn_dub, rate: 1, pan: (dice-1)/5
sleep 3
end
sleep 5
live_loop :sd2 do
sync :hat
sample :sn_dolf, rate: 1, amp: 0.6
sleep 5
end
end
sleep 15
with_fx :echo, decay: 10 do
live_loop :ec do
4.times do |t|
sample :ambi_soft_buzz, rate: t+1, amp: 0.5, pan: (dice-1)/5
sleep dice/3.2
end
end
end
sleep 15
live_loop :b do
play scale(:C2, :major_pentatonic).tick
sleep 1.5
end
|
||||
338. |
December 4th
03:36
|
|||
339. |
December 5th
02:05
|
|||
|
unsigned int sample_rate = 16000;
void setup() {
PLLCSR |= _BV(PLLE); // Enable 64 MHz PLL
delayMicroseconds(100); // Stabilize
while (!(PLLCSR & _BV(PLOCK))); // Wait for it...
PLLCSR |= _BV(PCKE); // Timer1 source = PLL
// Set up Timer/Counter1 for PWM output
TIMSK = 0; // Timer interrupts OFF
TCCR1 = _BV(CS10); // 1:1 prescale
GTCCR = _BV(PWM1B) | _BV(COM1B1); // PWM B, clear on match
OCR1C = 255; // Full 8-bit PWM cycle
OCR1B = 127; // 50% duty at start
pinMode(4, OUTPUT); // Enable PWM output pin
// Set up Timer/Counter0 for sample-playing interrupt.
// TIMER0_OVF_vect is already in use by the Arduino runtime,
// so TIMER0_COMPA_vect is used. This code alters the timer
// interval, making delay(), micros(), etc. useless (the
// overflow interrupt is therefore disabled).
// Timer resolution is limited to either 0.125 or 1.0 uS,
// so it's rare that the playback rate will precisely match
// the data, but the difference is usually imperceptible.
TCCR0A = _BV(WGM01) | _BV(WGM00); // Mode 7 (fast PWM)
if (sample_rate >= 31250) {
TCCR0B = _BV(WGM02) | _BV(CS00); // 1:1 prescale
OCR0A = ((F_CPU + (sample_rate / 2)) / sample_rate) - 1;
} else { // Good down to about 3900 Hz
TCCR0B = _BV(WGM02) | _BV(CS01); // 1:8 prescale
OCR0A = (((F_CPU / 8L) + (sample_rate / 2)) / sample_rate) - 1;
}
TIMSK = _BV(OCIE0A); // Enable compare match, disable overflow
/* flash the light too ;-) */
pinMode(0, OUTPUT);
pinMode(2, INPUT);
// read from analogue on (chip pin 2)
pinMode(A3, INPUT);
}
int analogIn;
int boop=1 << 8;
unsigned int del=1000;
volatile unsigned int x;
void loop() {
int i = analogRead(A3);
analogIn = i * 4;
if (digitalRead(2))
{
boop = random(0,analogIn);
digitalWrite(0,1);
for (x=0;x<del;x++);
digitalWrite(0,0);
for (x=0;x<del;x++);
}
else
{
del= random(0,10000);
}
}
// 'saw' is actually a fixed-point (8+8) phase accumulator
unsigned int saw=0;
ISR(TIMER0_COMPA_vect)
{
// Write to the PWM controller
OCR1B = (saw >> 8) > 127 ? 255 : 0;
saw += boop;
}
|
||||
340. |
December 6th
05:00
|
|||
|
lv = [0.0,0.1,0.2,0.3,0.4,0.5,0.6,0.7,0.8,0.9,1.0].ring
n1 = [36,38,41,44,46].ring
n2 = [60,48,54,62,46,36].ring
define :r_level do |l|
control l, mix: lv.tick
end
# Rhythm section
with_fx :ring_mod do |xx|
live_loop :hat do
sample :drum_cymbal_closed, pan: (dice-1)/5
sleep 0.125
end
sleep 8
live_loop :bd do
sync :hat
sample :bd_pure, rate: 0.75
sleep 1
end
sleep 8
live_loop :sd do
sync :hat
sample :sn_dub, rate: 1, pan: (dice-1)/5
sleep 2
end
end
with_fx :reverb, room: 1.0 do |rm|
live_loop :r do
r_level rm
sleep 25
end
use_synth :fm
live_loop :b do
play_pattern_timed n1, [5], attack: 3, release: 3
end
sleep 30
use_synth :dull_bell
with_fx :echo, phase: 0.5 do |e|
live_loop :c do
play_pattern_timed n1,[0.3], attack: 0, release: 0.2, amp: lv.tick
end
end
sleep 30
use_synth :zawa
with_fx :reverb, room: 1.0 do
live_loop :d do
play n2[dice], amp: lv.tick, pan: (dice-1)/5
sleep dice
end
end
end
|
||||
341. |
December 7th
04:10
|
|||
342. |
December 8th
03:20
|
|||
|
l = line(0,1,steps: 100)
s = line(20000,500, steps: 100)
use_synth :sine
with_fx :bitcrusher do |bc|
with_fx :distortion do |d|
100.times do |i|
control d, distort: l[i]
control bc, sample_rate: s[i]
play rrand(40,100), amp: rrand(0.1,0.5), pan: rrand(-1,1), attack: 0, release: 0, sustain: rrand(0.1,2.0)
sleep rrand(0.1,4)
end
end
end
|
||||
343. |
December 9th
04:16
|
|||
344. |
December 10th
01:00
|
|||
345. |
December 11th
01:00
|
|||
346. |
December 12th
04:03
|
|||
347. |
December 13th
07:50
|
|||
348. |
December 14th
08:54
|
|||
349. |
December 15th
18:00
|
|||
350. |
December 16th
06:30
|
|||
351. |
December 17th
08:08
|
|||
352. |
December 18th
04:10
|
|||
353. |
December 19th
04:56
|
|||
354. |
December 20th
05:55
|
|||
355. |
December 21st
04:13
|
|||
356. |
December 22nd
02:17
|
|||
357. |
December 23rd
07:49
|
|||
358. |
December 24th
03:22
|
|||
359. |
December 25th
03:00
|
|||
360. |
December 26th
10:10
|
|||
361. |
December 27th
03:00
|
|||
362. |
December 28th
07:27
|
|||
363. |
December 29th
02:26
|
|||
364. |
||||
365. |
December 31st (reprise)
06:04
|
|||
|
#!/bin/sh
#############
# PART 1
# Extract 1.5 seconds from each sound (starting at 30 seconds into the file)
for d in {1..364};
do
echo $d
~/sox-14.4.1/sox ../$d-365/$d.wav parts/$d.wav trim 30 1.5
done
#############
# PART 2
# attempt to splice all of the 1.5 second fragments into a long file with 0.5 second
# cross fade between:
# 1: 0 -> 1.5
# 2: 1 -> 2.5
# 3: 2 -> 3.5
# etc.
# start with part 1
cp parts/1.wav out/365.wav
for f in {2..364}
do
echo $f
i=`~/sox-14.4.2/soxi -D out/365.wav`
~/sox-14.4.2/sox out/365.wav parts/$f.wav out/tmp.wav splice -q $i,0.25,0
mv out/tmp.wav out/365.wav
done
mv out/365.wav 365.wav
|
||||
namke communications York, UK
Since 2000 John Tuffen has been performing/releasing electronic music under the name of namke communications. Originally
formed with Damian Murphy in 2000 for the SightSonic festival in York, since 2002 it has been a solo venture.
December 2011 saw the live return with a synthesiser/drum-machine trip; January 2012 saw a guitar replacing the synth but still maintaining the electronic edge...
... more
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